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Download Indonesia Underground Music

2009-08-06T09:30:00.000-07:00

Back Tower Belong (Autority)
Sisi Kelam (Beside)
Atur Aku (Puppen)
Bunuh Diri (Bromo)
Fall (Beside)
Abnormal
Aku Adalah Tuhan (Beside)
Future Syndrome (Forgotten)
Yellow Flag (Bendera Kuning)
Anjing Goblog Tai Babi (Turttle Jr)
Siclus With out Orientation (Jolly Jumper)
Complete Control
Fight (Lawan) (Jeruji)
Die Obsetion (Forgotten)
Dominasi Merusak Surga
Mati Rasa (Close Head)
Menjelang Hilang (Close Head) - Urine Campur Nanah (Jasad) - Kuya Ngora (Turtlle Junior) - Terbang Tenggelam - Sepiring Berdua (The Killer) - Weak (Restrain) - My Fault (Rosemary) - Future Syndrome (Forgotten) - 666 (Forgotten) - Intisari - MEsin Tempur - Cinta Dipur 1/2 (Rentenir) - Laila Majnun (Mosses Bandwidht) - Tearing (Killed By Butterfly) - Kabut Keabadian - My Last Beauty (Caliban)
Back Tower Belong (Authority)
Sisi KElam (Beside)
Atur Aku (puppen)
Suicide (Bromo)

Avenged Seven Fold Profile

2009-07-28T11:06:00.000-07:00

Avenged Seven Fold Profile

As musicians, the members of Avenged Sevenfold are definite virtuosos in a time when being accomplished artists seemingly means so little. They are inquisitive and never fully satisfied with their own work. They seek to grow and improve every day, regardless of the obstacles or costs involved.

They are a rock band. They are rock stars. They are Avenged Sevenfold. Avenged Sevenfold, the album, is a self-produced effort. While the band shared co-production credit on 2005’s million-selling City Of Evil with Mudrock, this new album is solely their responsibility — and they’re primed to accept it.

But attaining such stature didn’t arrive in an overnight jaunt. To the contrary, Avenged Sevenfold had been an integral part of the independent, underground rock scene years before breaking through on commercial radio. In fact, the Orange County, California-based act launched its career several years ago (they were barely out of high school) with the release of its debut in July 2001 of Sounding The Seventh Trumpet.

Miles of van touring ensued, performing in tightly packed clubs, and sweating shoulder-to-shoulder on both national and international levels. Despite the truly D.I.Y. affair (which still found the fledgling act putting on an eye-opening, elaborate stage show), Avenged Sevenfold never offered anything less than a full-throttle set. The band released its second independent full-length in August 2003, Waking The Fallen, a couple years later, greatly expanding on its metal-based foundation and giving us a not-so-subtle nudge that something exciting was in the imminent forecast.

Our suspicions were confirmed a couple years later, with Avenged Sevenfold’s breakthrough 2005 Warner Bros. debut, City Of Evil, featuring the wildly popular single “Bat Country.” That was the turning point for the fearless, genre-bending quintet that, after years of clocking in on the independent level, had finally advanced towards a milestone they had been seeking throughout their careers.

A7X wrapped 18 months of relentless touring in October 2006 and immediately began writing Avenged Sevenfold. After the success of City Of Evil — where they proved they had truly captured the imagination of music fans of all shapes and sizes — they became the only band to headline Warped Tour and Ozzfest while simultaneously hitting Number One on MTV’s TRL. The natural question was whether the band would continue its creative odyssey or return to the formula that brought them such success on the last go-around. Thankfully, they continued their musical exploration without caving in to any outside influences.

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White Album - Avenged 7 Fold

2009-07-28T10:50:00.000-07:00

White Album
Avenged 7 Fold

Track 01
Track 02
Track 03
Track 04
Track 05
Track 08
Track 10

Korn Free MP3 Download

2009-07-21T09:31:00.000-07:00

Korn Profile

JAMES “MUNKY” SHAFFER ANNOUNCES NEW PROJECT – FEAR AND THE NERVOUS SYSTEM…NEW ALBUM DUE AUGUST 8!!!

KoRn guitarist James ‘Munky’ Shaffer announces plans to release a new project entitled FEAR AND THE NERVOUS SYSTEM due out August 8, 2008. The record will be released on his own label, EMOTIONAL SYPHON RECORDINGS.

The band features James Christian Shaffer (“Munky”) on guitars and vocals; Billy Gould (Faith No More), bass; Wes Borland (Black Light Burns), guitars; Brooks Wackerman (Bad Religion, Tenacious D), drums and percussion; Leopold Ross (IO Echo), programming and guitars; Zach Baird (KorRn), keyboards and programming. The album will be produced by Shaffer, Ross, and Jim Monti, with additional production by Tim Harkins and Danny Lohner (NIN, Black Light Burns)

Famed producer Ross Robinson (Slipknot, KoRn) comments: “What can I do to ever come close to feeling James’s level of pure ruthless courage through a guitar? Since I’ve worked with him, I've tried to inspire, convince, beg, bleed, cry, prod and nearly die, hoping to hit that bar with others. I'm grateful to know what ‘it’ is, and where it always exists—in my brother, James. His solo band? Yes, please!”

The songs are being recorded at Music Grinder Studios in Hollywood, CA, with Jim Monti handling the mixing duties. Fear and The Nervous System is an exciting project that opens up the boundaries of rock, harkening back to the days when music was fearless

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Faget - Blind - Ball Tongue

Jacko's Moonwalk and Robotic Dance

2009-07-14T20:53:00.000-07:00

(Jacko's Moonwalk and Robotic Dance)

(Jacko's Featruing Best Dance)

(Jacko's Moonwalk Dance Technique)

Download 3GP and MP4 Michael Jackson

Moonwalk Dance Technique
Jackos Video Clip
Bea (Beat It?)
Jacko's In Memoriam Slide
Jacko's Last Performance
Black Or White Video Clips
Jacko's Moonwalk And Robotic Dance
They Don't Care About Us
(To be continued)

Best Album OF Deep Purple

2009-07-12T23:10:00.000-07:00

Deep Purple Profile

The first time I heard Deep Purple – or perhaps felt Deep Purple is a better way to describe the experience – it was the mid-70s. I was 8, and Ritchie Blackmore’s sinewy, sinister riffing on the “Made In Japan” version of “Child In Time,” coupled with Ian Gillan’s dramatic, gorgeous howling, Jon Lord’s ominous neo-classical Hammond organ, and the dynamic interplay of the Roger Glover-Ian Paice rhythm section, tore the top of my head off. It was unlike anything else I’d ever heard. And it quite literally changed my life. 30 years later, I’m still hearing Deep Purple for the first time...

“Rapture of the Deep” is the spot-on moniker for the disc you hold in your hands, and I’ll stand on any classic rock radio programmer’s desk in my cowboy boots and scream it loud, proud and Gillan-esque; “This is the best Deep Purple album there is, dammit! Forget ‘Machine Head’ – that was then; this is most decidedly now!”

This is the fourth record created by the revamped and rejuvenated Purple following the umpteenth departure of the mercurial Mr. Blackmore. The guitarist – one of the most significant in British rock history - had ceased to be a contributing force and was in fact draining Purple of its collective spirit when his ship finally set sail for good, a bit over a decade back.

Blackmore's exit is, in a sense, where our story begins, for the surviving band members left to pick up the pieces in his violent wake – Gillan, Glover, Lord, Paice – agreed unanimously on only one six-stringer, the soon to be knighted Steve Morse. Hardly scraping the dregs from the bottom of the barrel with that choice, boys.

Morse accepted, writing commenced for what would become “Purpendicular,” on-stage work-outs were seized upon with relish, and the band breathed the heady air of rebirth. When “Purpendicular” was delivered, it astonished. Rather than going softly into the long goodnight of “classic rock” middle-age, Deep Purple had reinvented itself. It took no more than a cursory listen to the likes of “Ted the Mechanic,” Loosen My Strings” and “Sometimes I Feel Like Screaming” to drive this point straight into the skull.

Morse brought a funkiness, a depth as guitarist and writer, an unparalleled fluidity as a soloist, a startling aptitude as foil to Lord, and an arsenal of influences – country, folk, jazz, what they’ve sadly labeled “fusion,” and an inherent understanding of blues-based riffs – that meshed effortlessly with the immaculate Glover-Paice sense of swing and Gillan’s seeming capacity to go anywhere at any time, full-throated and eyes ablaze.

”Purpendicular” was a celebration of both remembrance and reinvention. It at once acknowledged Purple’s estimable history and tradition, and a musical wanderlust not content to repeat the past. As such, it laid the template for a new Purple. And it all, it seems, was paving the way for the mighty metamorphosis that is “Rapture of the Deep.”

With Morse, Purple toured the world to accolades from the cognoscente. “Abandon” cemented the band’s on-stage prowess on record, and reminded us that Purple was, yes indeed, the heaviest of heavy rock bands. “Bananas,” the first record following Lord’s retirement from touring and his replacement by exquisite ivory-tinkler Don Airey, brought elements of pop to the table, grafted on some of “Purpendicular’s” ambition, and encapsulated the ensemble-riff power of “Abandon.” Tours behind both of these albums revealed this still-young band’s continued growth as a performing unit. By the end of the "Bananas marathon, Airey had marked his apotheosis, from "replacement" to fully-integrated band-member.

”Rapture of the Deep” marks yet another new beginning, however. And it, more than any other record this side of “Perfect Strangers” and “Purpendicular,” offers a snapshot of the band transitioning into bold, uncharted territory. It’s as if all the pieces fit, not for the first time, of course, but in a manner that reveals a more pure portrait of just what this band is capable of. The whole transcends the sum of its parts, which is fitting for a record that seems to be, in a very real sense, about transcendence.

”As we all know, it’s hard to breathe/When something spiritual has taken place/We don’t know how, we don’t know why/We’ve been transported to a state of grace,” sings Gillan during the album’s title track, and this verse can be seen as indicative of the over-arching ethos behind “Rapture of the Deep.” Lyrically, it speaks of a spirit not content with the status quo in terms of interpersonal, social and political relationships, and this irreverent yearning is matched by the searching nature of the music itself, which also refuses to be ordinary.

The album opens with “Money Talks,” a hook-heavy rocker with several twists in its tale, most notably Gillan’s harmony vocals during the chorus, his uber-hip sing-speak during the verses – recalling both “Fireball’s” “No One Came” and his own “No Laughing In Heaven” – and the manner in which the tune flirts with an Eastern modality before erupting into a searing Morse solo. “Wrong Man” slaps the listener in the face straight out of the gate with a strutting riff that can’t miss, as Glover and Paice exploit the pocket for all it’s worth, and Gillan kicks against the pricks in the voice of a character whose greatest crime seems to be having been in the wrong place at the wrong time. Both of these – like their siblings on “Rapture,” elegant and refined rockers steeped in blues and chomping at the bit, with names like “Back To Back,” “Girls Like That” and the hit single in waiting “Don’t Let Go” – are brilliant Purple tunes, estuaries from a river that never seems to run to dry. Ah, but the surprises… they’re many and varied here, and they elevate “Rapture” toward the rapturous upper echelons of the Purple canon.

“Before Time Began” takes the form of a threatening march, an abscess dying to burst. Paice offers a dark subterranean shuffle, as the band lays down a series of melancholic chords, and Gillan, in a voice drenched in pathos, bemoans a world in which “Every day of my life I discover/Someone murdering my sisters and brothers/In the name of some god or another.” No mere political polemic, this, however; Gillan’s touch is too light, and he’s a master of “leaving things out,” so that his lyric is suggestive, rather than mere vitriol. “All of those bad ideas became the law/And we’ve forgotten what we’re looking for.” Indeed.

And again, the Purple engine room is in full overdrive mode here, as an expansive call-and-response between Morse and Airey - who has made replacing Lord look easy, when we all know it is in fact far from it; Airey has made his mark on Purple, to be sure, by respecting what came before him and having the fortitude and chops to take it all somewhere new and exciting - leaves one feeling breathless and vulnerable. This is “progressive rock” in the most positive sense of that much-maligned term.

The centerpiece of “Rapture” also happens to be one of the finest tunes in the band’s history – no small claim, that. “Clearly Quite Absurd” is clearly quite sublime; a piece with a melody that simply hurts to listen to, in the way that first love is painful because it’s ephemeral and fleeting. Thankfully, your disc player has a “repeat” button, so this is a love that will never abandon you.

Gillan sings of escaping the snares of the mundane and commonplace, the accepted reality which deadens us to the potential one above and beyond it. Again, harmony vocals – Beatle-esque ones, in this instance – help set the mood, and an ascending chord progression led by Morse spreads its arms heavenward, eventually settling into a circular pattern that becomes one of the more moving codas not just in Purple history, but, yep, in the history of heavy rock itself.

This is Deep Purple, 2005 version. Intense, fearless, full of fire, and wit, and passion. Marked by serious virtuosity, but never a slave to it. Still finding new meaning in a medium they all but single-handedly created. Grab ahold of this, and don’t let go.

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When A Blind Man Cry - Soldier Of Fortune - Smoke On The Water - Child In Time

Lamb Of God

2009-07-12T21:59:00.001-07:00

Lamb Of God History

15 years ago, Lamb of God began their ascent to the forefront of modern heavy metal. A self-described "pure American metal" quintet from Richmond, VA, took deliberate steps, paid the dues and withstood the knocks as an underground, un-commercial metal act. Beloved by a rabid, grass roots cult of underground thrash fanatics thanks to brutal and technical albums like 2000â€™s New American Gospel and 2003â€™s As the Palaces Burn, the band toured North America relentlessly and began their international career overseas in support of the latter. Entering 2004, 10 years after inception, the band had risen to the top of the independent metal scene. Their uncommon work ethic, uncompromising musicianship and intellectual lyrics set them apart - and into un-chartered territory.

Five years ago, Lamb of God surprised the hell out of everyone â€” including themselves â€” by attracting the attention of and soon after inking a deal with Epic Records. "How does an extreme band like us even exist at this kind of upper-echelon major label?" remembers guitarist Mark Morton.

Far more commercially oriented bands have buckled under the strain of similar indie-to-major leaps. Skeptical of the outcome of such a relationship, the band took the opportunity to push even harder and in 2004 released the ferocious and technical 'Ashes of the Wake' and in 2006 the dark and unrelenting, 'Sacrament.' These albums proved that the major label pairing had no negative side effects. Fans and critics alike celebrated both albums, receiving respective album of the year awards from major metal and hard rock publications around the world and the latter landing in the top 10 of the Billboard charts, becoming the top selling metal album of 2006, and a Grammy nomination. Now entering 2009, Lamb of God - guitarist Willie Adler, Willieâ€™s drummer brother Chris Adler, bassist John Campbell, guitarist Mark Morton and vocalist Randy Blythe â€” have recaptured the attention of the heavy metal world, toting a vicious new album they call Wrath.

The fact that Lamb of God are still with us â€” after more than a decade that's seen countless bands arrive on the scene and then disappear forever into the mists of obscurity â€” can basically be attributed to a combination of integrity, hard work and even harder riffs. As with every one of their previous records, Lamb of God supported 2006's Sacrament by touring for 19 months, including going out in main support of Ozzy Osbourne on Ozzfest 2007, Slayer on the Unholy Alliance tour, Megadeth on the Gigantour, multiple European festival appearances, headlining tours across North America and overseas alike, and closing out the touring for the album with an arena tour of their own in December 2007. By the end, the band was completely road-fried and for the good of all involved, it was decided and announced publicly that 2008 be entirely devoted to recharging the batteries â€” no recording, no touring, no problems.

Of course, it didn't quite work out that way. "We didnâ€™t see each other for a few months," Willie explains, "But that doesn't mean that I wasn't writing, or that Mark wasn't writing, or that Chris wasn't playing his drumsâ€¦"

Even without the usual "tour-record-tour" pressure breathing down their necks, it wasn't long before the Adler brothers got together and started kicking around new song ideas and traveling together doing clinics overseas. By the end of March, far sooner than expected, the band was working together, in full, on new material â€” not because they had to, but because they wanted to. "Everyone came to the table," says Willie. "In the past, Randy would show up kind of late to the game, when the whole record was written, and then worry about the lyrics. This time around, Randy was right there throughout the entire process."

Josh Wilbur also made it clear that he really wanted to be involved. Having worked as an engineer on Sacrament, Wilbur had already established a solid rapport with the band; now, he threw his hat into the ring as a prospective producer, telling them he had a very clear idea of how they should be recorded this time around. "Josh told us, 'I donâ€™t want people to walk away from this record talking about what a great job Josh Wilbur did,'" Mark explains. "He said, 'I want people to walk away from this record talking about how great Lamb of God sounds on this record.' Rather than going through all these steps to kind of recreate our live energy, he simply wanted to capture it. It sounded so simple, but no one had ever come to us with that sort of directive before."

The band knew that if the direct, no-frills approach to recording their new album was going to work, their new songs would have to be thoroughly knocked into shape long before entering the recording studio. "We did extensive pre-production, and more re-writing of these songs than weâ€™d ever considered doing before," says Mark. "Before, it would be like, 'This is the way the song was written, this is the way it should be.' But with the songs on this album, it was just like, 'Is that really as good as it can be? Let's do two more versions of it, and then compare them.'"

In order to once again outdo themselves and continue to evolve from 'Sacrament' the band would take 6 months, utilizing a self-imposed and rigid writing schedule to challenge and push each other and the new material to new levels. By the time Lamb of God began actually tracking the album, the compositions were so watertight that Wilbur was able to simply set up microphones in front of the drums and amps and let the band wail away. "We wanted to make the record thrashier than anything weâ€™ve ever done," says Willie. 'Letâ€™s just go for it again, like we did on Palaces.'"

"[2004's] Ashes of the Wake was very successful, Sacrament was very successful, and a band in our position could have just continued down that same path, trying to live up to certain commercial standards or whatever," says Mark. "But Chris said something early on in the making of this record that really stuck with me â€” he said, 'If we donâ€™t do the kind of record we want to do now, when the hell are we ever going to do it?'

"I donâ€™t want to take anything away from those albums, because it took them to get us here," Mark continues, "But Sacrament especially was a very polished, very epic sounding, and very out-of-this-world record, and we kind of wanted to come back down to earth. This one really is an organic record, meaning that itâ€™s natural â€” they're real songs, and every note you hear on it is played by a real person, and it's all captured in a very old-fashioned way."

Indeed, the tracks on Wrath â€” as the band has appropriately dubbed their beautifully punishing new album â€” leap from the speakers and go straight for the jugular, completely unfettered by superfluous studio trickery. But the lycanthropic ferocity of tracks like "In Your Words," "Set To Fail" and "Fake Messiah" totally belie the fact that the Wrath sessions were also the most harmonious in Lamb of God history. While previous records were heavily fueled by creative and internal tensions (which occasionally culminated, as anyone who's seen the Killadelphia DVD can tell you, in actual fisticuffs), Wrath was conceived in an atmosphere of sincere cooperation and mutual respect.

"It was not uncommon for John to have an idea for a kick drum pattern, or for Chris to have a suggestion about moving around a riff that Willie and I were playing," says Mark. "We've all done this enough that we know how the pieces come together, and we all have ideas. It was really collaborative on all levels, and that's what you're hearing when you listen to the record. It's got this energy, this pulse, this alive feel to it â€” and I think that comes from the fact that we were all pitching in."

The collaborative vibe even extended to the album's lyrics. Though Mark and Randy once again penned the bulk of the words â€” which run the gamut from the angrily political ("Contractor," "Dead Seeds") to the deeply personal ("Everything to Nothing," "Broken Hands," "Set To Fail") â€” everyone got to chip in their own two cents as far as both words and phrasing. "The doors were a lot more open than they had been before," Mark explains. "All that 'dogs fighting to see who's the dominant one' stuff either got grown out of, or put on the shelf for a little while. I think we just decided, 'Letâ€™s make a really cool record!' It was so simple," he laughs. "Three or four years ago, that just would have seemed impossible; but now it seems so simple."

The loose and cooperative vibe comes through most noticeably on the acoustic intro to "Reclamation," the album's apocalyptic final track, which was recorded live on the balcony of Studio Barbarosa, the tiny beach-adjacent studio in Virginia where the band tracked Wrath's guitars. "Josh set up some mics out there, and Mark and I just jammed," says Willie. "You can hear the actual ocean waves behind us. And what was cool was, Randy was like, 'This is perfect â€” it totally fits my lyrics!' I asked him what they were about, and he said it was about the earth reclaiming itself and the waters rising."

Now, with Wrath about to be unleashed upon the world, Lamb of God can concentrate on maintaining their status one of the most savage live acts to ever stalk a concert stage, as their late '08 stint as main support for Metallica ably demonstrated. "As much as we'd wanted to take the whole year off from touring, there was no way we could turn that down," laughs Willie. "I mean, I used to pretend I was Kirk Hammett when I was 11 years old, you know? It was totally a dream come true, and weâ€™re really excited to go back out with them again this summer."

Of course, expect a ton of Lamb of God headlining dates as well, as they take Wrath to the masses in yet another earth-scorching 20 month march around the globe. "It seems like just yesterday that we were one of these up-and-coming new bands, one of the underdogs," Mark reflects. "And now I feel like we're graduating to veteran status â€” we're elder statesmen, almost. It's been five years since we signed with Epic, which is a long time in music years, and we're still here. But at a point where maybe we should have fizzled out, or the excitement should have plateau-ed, it feels really, really fulfilling to be this excited about new material at this stage of the game.

"Weâ€™re in a good place right now," he continues. "All loving this record and having fun making it, getting back to our roots and all rallying around what came out of that. It's a really cool moment for us."

Lamb of God has built a career and a catalog of material that has inspired and fueled the evolution of Heavy Metal in the new millennium. 'Wrath' combines every lesson learned and years of experience with the unbridled aggression of the quartet that met up some 15 years ago. The album is a testament to the integrity of the band, choosing well into their career, on their terms, to go further and push harder rather than ever before. 'Wrath' may very well be, in many ways, their crowning achievement.

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Descending - Redneck - Forgotten Lost Angels - Foot To The Troath - Again We Rise - Suffering Bastard

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Super Bounce Out Games

2009-07-03T20:28:00.000-07:00

Super Bounce Out Games

Looking for some high-energy fun? Try Super Bounce Out, the fast paced, super addictive game that will keep you on the edge of your seat. Swap the balls around to match three and stand back as they fly off the screen. Rack up even more points for bigger matches and combinations. But hurry, the fuse is lit and you don't want to blow it! Love it? go and start playing Super Bounce Out now.

Requirment:
OS: Windows 95, Windows 98, Windows 2000, Windows XP, Windows Me, Memory: 32MB, DirectX: 6

Publisher:
Game House

Download Free Games
Super Bounche Out - Spongebob Collapse

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Download 3GP Videos

2009-07-03T11:48:00.000-07:00

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Waiting For Love - Hot Girl At The Gym - Cute Braseri Girl - Nice Ass Nice (Link For Center Videos) - Stupid Phone Sex

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Stupid Football - Barca Vs MU

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Arabian Drift - India Drift - Arabian Standing Style

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Matdon Poetry Reading - President Soekarno - Instrumen Kuberjanji (Idris Sardi) - Instrument Indonesia Pusaka (Idris Sardi) -

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Zuma Delux Games

2009-06-29T00:28:00.000-07:00

Zuma Delux Games

Survive the ancient temples of Zuma, the critically acclaimed action-puzzler from PopCap! Deep in the jungle lie hidden temples bursting with traps and trickery, and it's up to you to uncover their treasures. Fire magical balls from your stone frog idol to make matches of three or more and clear the deadly chain before it reaches the golden skull. Explore all the temples, if you're good, you’ll rack up huge combos and special bonuses that'll help you on your way. But think fast and aim smart, or you'll be history in this action-packed puzzle challenge!

Requirment:
Os: Window 2000/XP/Vista, Memory 128MB RAM, Processor 350MHz or Faster, Direct 7.0

Publisher:
Pop Cap Games

Download Free Games
Zuma Deluxe - Spongebob Collapse - Super Bounche Out

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Spongebob Collapse Games

2009-06-29T00:11:00.000-07:00

Spongebob Collapse Game

Puzzle game. Begin an exciting journey in companion of cheerful SpongeBob. Click on a group of three or more similar blocks making them explode; earn points for that. Clear the required number of blocks to proceed to the next level. The more you advance in the game the much complicated your task is and the higher speed of the game is. Spongebob Collapse is an addictive, fast-paced game with bright detailed graphics, diverse sound effects and appropriate cheerful music. Numerous funny characters and backgrounds are designed professionally and impress a lot by quality and colours. In-game options allow you adjust music, sound effects, screen mode and starting level. Easy controls, unique power-ups and bonus levels make Spongebob Collapse attractive for any player. Play the game to have enormous fun and relax after a difficult day.

Requirement:

OS: Windows 95, Windows 98, Windows 2000, Windows XP, Windows Me. Memory: 32MB, DirectX: 6

Publisher:

Game House

Download Free Games

Download Spongebob Collapse - Super Bounce Out

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Jason Mraz

2009-06-26T09:07:00.000-07:00

Jason Mraz Profile

Jason Mraz, born on March 23, 1977 and raised in Mechanicsville, Virginia, was mostly influenced with such music genres as reggae, pop, rock, jazz, folk and hip-hop. Having a strong interest in music, he attended the American Musical and Dramatic Academy but dropped out a year later when he decided to pick up guitar at the age of 18 and started exploring his singing talent at strawberry fields and on the streets of Manhattan.

After busking around the Big Apple, Jason moved to San Diego. There, he landed a singing career with a duo with drummer Noel "Toca" Rivera. Along with Toca, he performed at the coffeehouses around the town before getting signed to Elektra Records.

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Jason Mraz Track 01 - Jason Mraz Track 03 - Jason Mraz Track 04 - Jason Mraz Track 05 - Jason Mraz Track 06 - Jason Mraz Track 07
(To Be Continued)

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U2

2009-06-21T11:38:00.000-07:00

U2 Profile

Bono (Vocals) - The Edge (Guitar) - Adam Clayton (Bass) - Larry Mullen, Jr. (Drums).

U2 was officially formed in Dublin, Ireland September 25, 1976. 14-year-old Larry Mullen, Jr. advertised on his secondary school bulletin board for musicians for a new band. Those in attendance at the resulting meeting included Bono (Paul Hewson), the Edge (David Evans), Adam Clayton, the Edge's brother Dik Evans, Ivan McCormick, and Peter Martin. The group settled on the name Feedback, McCormick and Martin were out within weeks, and the 5 remaining began to play as a group.

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With Or Without You - Stay - Pride (In The Name Of Love) - One

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Dangdut Music

2009-06-21T11:26:00.000-07:00

Music Dangdut History

Dangdut is a genre of indonesian popular music that is partly derived from Malay, arabic, and hindustani music. It developed in the 1970s among working class mooslem youth, but beginning in the late 1990s reached a broader following in Indonesia and Malaysia. A dangdut band typically consists of a lead singer, male or female, backed by four to eight musicians. Instruments usually include a Tabla, Mandollin, Guitars and many other. The term has been expanded from the desert-style music, to embrace other musical styles. Modern dangdut incorporates influences from Middle Eastern pop music, Western 'rock,' House music, hiphop, RnB and Reggae.

Most major cities, especially on Java, have one or more venues that have a dangdut show several times a week. The concerts of major dangdut stars are also broadcast on television. Beginning in 2003, dangdut became the focus of a national controversy in Indonesia over religion in public life and images of sexuality in media in response to performances by singer Inul Daratista that religious conservatives described as "pornography". Street protests called for Daratista's banning from television, and legislation, not passed as of 2007, was introduced in the People Consultative assembly calling for the abolition of a broad range of activities described as pornography.B ecause the popularity of the genre, some movies and TV show use Dangdut themes such as Rhoma Irama's movies and Realty Show "Mendadak Dangdut".

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Jatuh Bangun (Meggy Z) - Mati Lampu (Rita Sugiarto) - Laksmana Raja Di Laot (Iyet Bustami) - Begadang (Babeh Ridho Irama) - Darah Muda (Babeh Ridho Irama) - Bang Toyib (Ade Irma)

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Indonesia Children's Songs

2009-06-21T10:46:00.000-07:00

About Children's Songs

outside of the norm or outstanding) is really the best way to describe the Indonesian Children's Choir and Indonesian Youth Choir, and no doubt citizens of Poland and Germany will share this impression.

Invited by the organizing committee for the Commemoration of the Outbreakof World War II, 32 children selected from the two choirs will perform at the Chopin Academy of Music in Warsaw, Poland, on Sept. 1, 1999.

Sixty years after the commencement of World War II, the young Indonesian cultural and arts ambassadors will not only showcase the archipelago's wealth of traditional songs, music and dances, but will carry a message from the Asian continent; a message about the importance of world peace.

The Indonesian Children's Choir will perform alongside four other world-respected choirs invited to sing at the event, one of which is the SzczecinNightingales. In addition, the choir's European tour includes performances in nine German cities, including Bonn, Cologne and Frankfurt.

Priska, 15, who has been a member of the choir for three years, exclaimed, ""It is so great, I can't explain it in words. It is huge and a really great opportunity."" She and Tigor, 11, the only boy in the 32 children, said they were both delighted to be going, but also a little apprehensive regarding the scale of the event. They are also looking forward to being reunited with their friends from Poland, whom they met when the young Polish singers visited Indonesia.

The group's director, Aida Swenson Simanjuntak, who founded the Indonesian Children's Choir in 1992 and the Indonesian Youth Choir in 1996,said, ""My vision was to supplement what I saw as a lack of musical education in schools, and to help children and offer guidance."" Today, the choirs comprise approximately 300 boys and girls aged from 6 to 19, from diverse socioeconomic and ethnic backgrounds. The group performing in Europe, for example, contains children from Java, Ambon, Manado and Timor.

According to Swenson, it is important to value and guide the voices of children, and provide them with an opportunity to sing free from the economic constraints normally associated with a specialized training school.

""Somebody has to build a generation of musicians,"" she said, ""not just from wealthy families. It is important to give the children an opportunity to sing.""

She stressed the need for a correct introduction to singing when traininga child's voice. ""Why would we neglect this instrument?"" she asked. ""Guidance is important. The expression will be so perfect if the voice is ready.""

Swenson herself not only brings her inspiration and love of music to the choir, but also her lifetime of experience. The daughter of A. Simanjuntak,a well-known composer of Indonesian music, she has studied music both locally and internationally in Switzerland and Austria, and holds a degree in church music and choral conducting from Princeton in the U.S., where shestudied with the Westminster Choir College.

The reputation, dedication and skill of the Indonesian Children's Choir is evident in the singers' past achievements, such as a third place in boththe folk and classical music categories at the 1997 Golden Gate International Children's Choir Festival, held in San Francisco, the U.S. The choir also won first place at the Seventh Japanese Youth Musicale in 1997, and they have sung with the prestigious Vienna Boys Choir and Szczecin Nightingales.

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Balonku Ada 5 - Abang Tukang Becak - Aku Seorang Kapiten - Lagu Bangun Tidur - Anak Kambing Saya - Bermain Layang-layang - Burung Kutilang - Bintang Kecil - Di Sini Senang Di Sana Senang - Desaku - Dakocan - Ibu Pertiwi - Dua Mata Saya - Menanam Jagung - Matahari Terbenam - Kukuruyuk - Kupu-kupu Yang Lucu - Lihat Kebunku - Nina Bobo - Naik-naik Ke Puncak Gunung -Naik Delman - Pelangi - Naik Kereta Api

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Koil

2009-06-21T10:38:00.000-07:00

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Apa Yang Kita Percaya - Bantulah Kami Melihat - Lagu Hujan

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Iwan Fals The Living Legend

2009-06-19T12:04:00.000-07:00

Iwan Fals Profile

I was born on 3 September 1961. Said my mother, when I was a monthly, each time heard the voice adzan maghrib I always cry. I do not get why until now I was still crying Gambang. So-so though, I orangnya soft and easily left out. For example, see the news on television that some people proclaim successful ago medapatkan top achievement award, I could cry. Seeing a mother's love that show love on the children, can also make a left and then I cry

Talk musikku travel career, starting when I "ngamen" active in Bandung. I started when "ngamen "aged 13 years. That time I still junior. I play guitar learn from my friends. If they play the guitar I like attention. But would like to get embarrassed. One day I was desperate to play the guitar. But even the strings are dropouts.

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Iwan Fals Part 1

Awang-awang - Pulang Kerja - Sugali - Celoteh Camar Tolol - Balada Pengangguran - Bunga Trotoar - Sarjana Muda - Negriku - Mata Indah Bola Pingpong - Katakan Kita Rasakan - Potret - Yakinlah (Ft. Elly Sunaryawan) - Dongeng Sebelum Tidur - Bento - Aku Tidak Sinting (Ft. Doel Sumbang) - Cinta - Sore Tugu Pancoran - Mimpi Yang Tak Terbeli - Aku Bukan Pilihan - Condet - Orang Gila - Kupu-kupu Hitam Putih - Sebelum Kau Bosan - Marilah Ke Mari Hey

Iwan Fals Part 2
Perempuan Malam - Romla dan Juha - Kereta Tua - Neneku Okem - Ancur - Untukmu Terkasih - Siang Seberang Istana - Ujung Aspal Pondok Gede - Satu-satu -Dendam Damai - Siang Pelataran - Bung Hatta - Doa Pengobral Dosa - Maaf Cintaku - Manusia Setengah Dewa - Serdadu - Berikan Pijar Matahari - Bangunlah Putra-putri Pertiwi - Untuk Para Pengabdi - Di Ujung Abad - Ambulans Zig Zag - Buku Ini Aku Pinjam - Jangan Tutup Dirimu

Iwan Fals Part 3
Yang Terlupakan - Pak Tua - Ya Atau Tidak - Menanti Seorang Kekasih - Ijinkan Aku Menyayangimu - Hadapi Saja - Mata Dewa - Barang Antik - Lonteku - Puing - Kemesraan - Guru Oemar Bakri - Tikus-tikus Kantor - Surat Buat Wakil Rakyat - Coretan Dinding - Yang Terlupakan - Pesawat Tempurku - Kereta Tiba Pukul Berapa - Galang Rambu Anarki- Sarjana Muda - Ibu - Tinceu Binti Mahmud - Aku Milikmu - Belum Ada Judul

Iwan Fals Part 4
Apakah Benar AKu Milikmu - Air Mata Api - Perjalanan - Kisah Sepeda Motorku - Rindu Tebal - Desa - Percayalah Kasih (Ft. Vina P. Jockie) - Entah - Nocturno (Ft. Sawung Jabo) - Rajawali - Nyanyian Jiwa - Sesuatu Yang Tertunda - Bidadari Senjakala - Selamat Malam - Gelisah (Ft. Sawung Jabo) - Pesawat Tempur - Negara - Paman Doblang - Kantata Takwa - Karena Kau Bunda Kami - Teman Kawanku - Buku Ini Aku Pinjam - Masih Bisa Cinta - Denting Piano

Iwan Fals Part 5
Opiniku - Paman Doblang - Di Bawah Tiang Bendera (Ft Kawan) - Sarjana Muda - Mata Dewa - Mimpi Yang Terbeli - Bung Hatta - Kuda Lumping - Semoga Kau Tak Tuli Tuhan - Imitasi - Condet -

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Bad Relligion

2009-06-19T11:42:00.000-07:00

Bad Relligion Profile

Bentley (Bass) - Greg Hetson (Guitar) - Greg Graffin (Vocals) - Brian Baker (Guitar) - Mr. Brett (Guitar) - Brooks Wackerman (Drums)

In a world ruled increasingly by superstition and intolerance, Bad Religion's rousing wall-of-sound punk seems about as necessary now as ever before. It is the impassioned sound of reason, anthems of a bittersweet idealism and a guarded hope set to propulsive guitars and charging drumbeats. And while most groups with even half the artistic output have long ago morphed into stylistic self parody, Bad Religion is currently surging forward with a renewed creative intensity. Their fourteenth album, entitled New Maps of Hell, is both a nod to the band's defiant past and an undeniable step forward in the evolution of a genre they helped to define. While many of the new songs are as brutally fast and unflinchingly heartfelt as anything the band has done before, the record is also filled with unexpected sounds, inventive rhythms and lush pop choruses.

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You - Suffer - Generator - Come Join Us - Do What You Want - Anesthesia - Changes Of Ideas - American Jessus

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Indonesia Hiphop Music

2009-06-19T10:29:00.000-07:00

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Lagu Gituan (Kungpow Chicken) - Low Batt (The Law) - Bunga (Bondan Ft Fade 2 Black) - So What Gitu Loh (Saykoji) - Cintaku Takkan Berubah (Saykoji Ft. Ani Karera) - Agnes Monica (8 Ball) - Kangen Bad (8 Ball) - Maksud Loh? (Segitiga Pemuda) - Cikidap (Ba'on) - Homicide Is Dead (Thufail) - Dina Amparan Sajadah (Ebith Beat A)

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Indonesia Classic Music

2009-06-19T10:19:00.000-07:00

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Seroja Bunga Seroja (Aceh) - 1000 Mil Lebih Sedepa

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Love Song Music

2009-06-19T10:06:00.000-07:00

Love Song History

The oldest written record of love songs comes from an area around the Tigris and Euphrates rivers known as Sumeria. The cone-shaped cuneiform script of Sumer was pressed into clay tablets which have survived to this day, giving us a glimpse into the Top 40 songs - or, at any rate, the lyrics - of 4000 years ago. These poem/songs were written in praise of the Sumerian gods and goddesses, notably Inana, a Moon and fertility goddess, and Dumiz (or Tamuz), a god of crops and fields. But like the later Hebrew "Song Of Songs," the religious context seems slight indeed. The songs speak to us of the very real emotions of young lovers, sensual pleasure, and romantic encounters.

In the lyrics for the song "My Honey Sweet" can be seen the very same type of repetition we use today in pop songs. A repeated line - which is called a "hook" in today's music - is easy to remember and catches the listener's attention.

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I Stand By You (Freetender) - When You Tell Me That You Love Me (West Life Ft. Diana Rose) - Eternal Flame (Human Nature) - Bizzare Love Triangle (Frente) -You Are Still The One (Shania Twain) - Irreplaceable (Beyonce Knowless) - Stay (Lisa Loeb) - Loving You (Jullia Fordham) - How Do I (Trisha Yearwood) - Kiss Me (Sixphence Non The Richer) - Torn (NAtalie Imbruglia) - One Of Us (Joan Osborne) - The Day You Went Away (M2M) -

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Indonesia Rock Music

2009-06-19T10:01:00.000-07:00

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Tiga Titik Hitam (Burgerkill) - Lagu Sexy (Kapten) - Lagu Hujan (Koil) - Ngga Nyambung (Orrie)

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Movies Original Sound Track

2009-06-19T09:39:00.000-07:00

Download OST Twilight

Full Moon (The Black Ghost) - All The Way Into The Twilight (Ferry Farrel) - Spotlight Twiligth Mix (Mute Math) - 11 Flightless Bird (American Mouth) - Bellas Lullaby (Carter Burwel) - Tremble For My Beloved (Collective Soul) Leave Out All The Rest (Linkin Park)

Download OST Cartoon

Popeye The Saillor Man - Spongebob - Samurai X - Doraemon - Shincan

Download OST Troy
Album OST Troy (James Horner)

Download OST Kit Runner
Album OST Kit Runner Album (Alberto Iglesias)

Download OST Angel And Demons
Album Ost Angel And Demons (Hans Zimmer)

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The Rolling Stones Rock And Roll Music

2009-06-19T09:33:00.000-07:00

The Rolling Stones Profile

Brian Jones (Guitar, Harmonica) - Geoff Bradford (Guitar) - Stu Stewart (Piano) - Dick Taylor (Bass) - Mick Avery (Drums) - Keith Richards (Guitar/Vocals) - Mick Jagger (Vocals)

The Rolling Stones began as a blues band. Their greatest success came when the group reinvented itself as a rock band. By the mid-1960's The Stones were second only to The Beatles in popularity. One of the factors contributing to the group's success was its willingness to experiment with instruments that hadn't previously been used by rock bands.Formed in 1961 by schoolmates Mick Jagger and Keith Richards, what has become known as the world's greatest rock & roll band originally performed covers of other artists' hit songs. Their first album, in 1964, contained only one Jagger-Richards original, "Tell Me". Working virtually nonstop since their beginning, the group has released more than 50 albums, including compilations.

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Rubby Thuesday - Play With Fire - Paint It Black - Lady Jane - As Tears As Goes By - Angie

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Sunda Hits Music, Kacapian, Degung

2009-06-19T09:17:00.000-07:00

About Sundanese Music

The notes on this page are derived primarily from my article on Sundanese music in The Garland Encylopedia Of World Music volume 4 (Southeast Asia). Fortunately for those interested in Sundanese music, a growing number of resources has made exploration easy. These resources include Henry Spiller's Gamelan: The Traditional sound Of Indonesia , Andrew Weintraub'sPower Plays: Wayang Golek Puppet Theater Of West Java, my own The Sound Of Ancestral Ship: Highland music of West Java,and Wim Van Zanten's Sundanese Music In The Cianjuran Style.

The Sundanese are Indonesia's second largest ethnic group. They live in the Province Of West Java (also called "Sunda" by many foreigners), encompassing the interior highlands, the coastal areas, and Cirebon, a culturally distinct region. The boundary between West and Central Java lies at the eastern foothills of the Priangan Highlands, and a wide band of west-central Java from north to south incorporates cultural elements from both West and Central Java. Those who consider themselves ethnically and politically Sundanese speak Basa Sunda in addition to Bahasa Indonesia (the national language), and most Sundanese are Muslims. When the Sundanese refer to their performing arts, they are careful to describe what they call khas Sunda -- that which is characteristically Sundanese a designation that bears a sense of regional identity.

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Mang Koko Kacapian

Malati Ti Gunung Guntur - Kembang Tanjung Panineungan - Sariak Layung Kacapian - Bulan Langlayangan Peuting

Pop Sunda Ninig Meida

Bangbara Cinta - Jalan Satapak - Kacipta - Kumaha - Lambaran Cinta - Midua Cinta - Ombak Pakidulan - Panutan - Ukur Kalangkang - Asih Urang - Angin Peuting - Alim Patebih

West Music Hits Single

2009-06-19T09:07:00.000-07:00

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Stranger By The Day (Shades Apart) Believe Me (Fort Minor) - Friday I'am In Love (The Cure) - The Second You Sleep (Saybia) - Best I Ever Head (Extreme) - Better Man (Robbie William)

Evergreen Music Hits

2009-06-18T11:46:00.000-07:00

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Hello (Lionel Ritchie) - Sway With Me (Antonio) - I'd Rather Go Blind (Rod Steward) - Dust In The Wind (Kansas) - Wild World (Mr.BIG) - Shes Gone (Still Heart) - Stairway To Heaven (Led Zeppelin) - The Temple Of the King (Rainbow) - When The Children Cry (White Lion) - A Nightmare To Remember (Dream Teathre) - Future World (Hallowen)

Jazz Music

2009-06-18T11:42:00.001-07:00

Jazz Music History (Soul Jazz)

Jazz is a musical art form which originated at the beginning of the 20th century in African American communities in the Shoutern United State from a confluence Of African and European music traditions. The style's West African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation, and the swung note.

From its early development until the present, jazz has also incorporated music from 19th and 20th century American popular music. The word jazz began as a West Coast slang term of uncertain derivation and was first used to refer to music in Chicago in about 1915; for the origin and history, see Jazz (word).

Jazz has, from its early 20th century inception, spawned a variety of subgenres, from New Orleans Dixieland dating from the early 1910s, big band-style swing from the 1930s and 1940s, bebop from the mid-1940s, a variety of Latin jazz fusions such as Afro-Cuban and Brazilian jazz from the 1950s and 1960s, jazz-rock fusion from the 1970s and late 1980s developments such as acid jazz, which blended jazz influences into funk and hip-hop. As the music has spread around the world it has drawn on local national and regional musical cultures, its aesthetics being adapted to its varied environments and giving rise to many distinctive styles.

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Greates Love Song (Frank Sinatra) - Best Of Smooth Jazz (1 On 1) - Givin It Up (George Benson Ft. Al Jareau)

Movies Original Sound Track

2009-06-18T11:39:00.000-07:00

Download MP3 Movies OST:

The Kitt Runner (Alberto Iglesias) - OST Troy - OST Angel And Demon (Hans Zimmer)

Muse

2009-06-18T11:37:00.000-07:00

Muse Profile

The Muse that drove out of Glastonbury 2004 was a very different one from the Muse that had arrived. Following seven years of near solid touring, buzzing with nervous anticipation; their escalation from being the biggest band in Teignmouth in 1997 to one of the biggest bands in Europe by 2004 had been a rocket ride but still, closing Glastonbury was a major step-up, a classic Eavis gamble, and with a weary, mud-drenched crowd facing a long Sunday night welly-trudge home even Muse themselves doubted they could pull it off. “We got offered the headline slot which scared the shit out of us to start with because we didn’t think we were big enough to do it,” says bassist Chris Wolstenhome. “The day was muddy and miserable, and as it was the end of the festival we thought people would be kind of jaded, but it was completely the opposite.”

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Starlight - Unintended

Indonesia Mix Music

2009-06-18T11:32:00.000-07:00

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Menyesal (Resa Herlambang) - Kasih Jangan Kau Pergi (Bunga Galang Rambu Anarki) - Kekasih Yang Tak Dianggap (Kertas) - Kau Tigakan Cinta (Elkasih) - Jangan Dekati Aku (Flow) - Hantu Hancur Hatiku (Olga Syahputra) - Jamilah Jamidong (Ecapede) - Cinta Terlarang (The Virgin) - So Hok Gie (Nicholas Saputra)

Melly Guslaw Ratu OST

2009-06-18T11:30:00.000-07:00

Melly Goeslaw Profile

Melly Goeslaw a daughter of the era 80-an Melky Goeslaw. Where's art talent was blood flow in small Melly since. Moreover, his mother Ersy Soekasih Bandung also a singer in 70's. Shes Mother active steps to encourage Jimmy to the music world.

Melly the music since junior high school career with vocal learning in Elva Secioria. Since that time began to carve Melly achievement in various festivals such as Festival III Champion Penyanyi Top Indonesia 1989, Juara I Cipta Pesona Stars RCTI 1992, Champion 1992 Good I Asia, and I Champion Star Radio and Television in 1993 West Java. 1995 with Anto hoed now become Arie and her husband, Jimmy and the band up The Potret with the desire to sing songs her own.

Although not able to read blocks and not play one musical instrument, a singer Jimmy is known as the creator of the song and that is quite successful and productive. He includes one of the great musicians of his diperebutkan by the performers. Melly both this paper would be very popular, and received an award from MTV (Calculating Day). I have soundtrack for the film What's Love? that is able to accompany a successful film in the market.

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Menanti Cinta - Cinta (Ft. Krisdayanti) - Ketika Cinta Bertasbih (OST KCB)

System Of A Down

2009-06-18T11:27:00.000-07:00

System Of A Down Profile

One of the most experimental hard rock and metal bands of the early 21st century, System of a Down formed in the Valley north of Los Angeles in the mid-1990s. The group consists of singer Serj Tankian, drummer John Dolmayan, guitarist Daron Malakian and bassist Shavo Odadjian. Known for their politically outspoken lyrics and complex, unconventional hard rock arrangements, System of a Down managed to win over critics while courting mainstream audiences.

While System of a Down helped establish their name, it was 2001’s Toxicity that cemented their reputation. Although Toxicity remained indebted to metal traditions, its musicianship and accessibility managed to attract both a commercial audience with potent singles such as “Chop Suey!” and “Aerials” as well as the critical community, which declared the album one of the most ambitious releases of its era. Eventually securing triple-platinum sales, Toxicity represented a thinking man’s hard rock, music that was edgy and propulsive but also introspective and challenging. Hardrock for head bangger and DEEP THINKER!!!

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Accoustic SOAD - Prison Song - By Your Own Boomb

Hasta Siempre Che Guevara

2009-06-18T11:24:00.001-07:00

Che Guevara Profile

Ernesto Guevara de la Serna (June 14, 1928 – October 9, 1967), commonly known as Che Guevara or el Che, was an Argentine-born Marxist revolutionary, political figure, and leader of Cuban and internationalist guerrillas. As a young man studying medicine, Guevara traveled roughrough[›] throughout Latin America, bringing him into direct contact with the impoverished conditions in which many people lived. His experiences and observations during these trips led him to the conclusion that the region's socioeconomic inequalities could only be remedied by revolution, prompting him to intensify his study of Marxism and travel to Guatemala to learn about the reforms being implemented there by President Jacobo Arbenz GuzmÃ¡n.

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Hasta Siempre Comandante Che Guevara (Carlos Puebla) - Che Guevara Siempre (Gupo Boikot) - Ernesto Che Guevara (Wickeda)

Indonesia New Music

2009-06-18T11:16:00.000-07:00

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Ungakapan Hati (Masterpiece) - Lupa-lupa Ingat (Kuburan) - Ketika Setab Berteman (Siapa?) - Cinta Harus Dimengerti (The Sabian) - Setiap Tikungan Ada (Apollo) - Tuhan Tolonglah Diriku (Duo Derby) - Pantaskah (Phantom) - Suara (Luna Maya Ft. Hijau Daun)

Gita Gutawa

2009-06-18T11:12:00.000-07:00

Gita Gutawa Profile

Gita Gutawa born in Jakarta, 11 August 1993. Because living in the environment musician, daughter of musician Erwin Gutawa this is not foreign to the music. Since class 2nd Graduate School, Gita has started learning to play classical piano at Yayasan Musik Jakarta and strengthen the knowledge he learned with private piano and jazz guitar.

Singer called Aluna full Sagita Gutawa initiated his career in this world when berduet pull sound with no Band songs on the Answer for (Do not Forget Father) album that was published in The Band - Heaven Of Love (2005). Debutnya success because a few people who do not like the characters soprano voice too.

Gita in 2007 launched a first album Gita Gutawa. Album contains 12 songs produced by shes father. Proced is done in Jakarta, while mixing and masteringnya conducted in Sydney, Australia. Some participated in at least the creator of the song in this album, such as Roselle Nava, Jimmy Goeslaw, Dewiq, Krishna & Donnie 'The band' to Eross Chandra. Successful album to reach Platinum Awards with sales reaching more than 150 thousand copies in just 4 weeks. It was then delivers himself as Penyanyi Immigrants and the New Best Album Award 2008 Best AMI.

In addition to solo albums, songs also bear some single. Go straight road, among others (12 Tembang Islamic Album - 2007), Perfect and Two Heart Be One (OST Love - 2008), and around the world Please do not embellish the album "OST Laskar Pelangi". Also be a line of achievements by Gita, as champion in the International Nile Song Festival which was held in Egypt 29 January-3 February 2008. At the festival he is sing two songs, entitled 'A wave song and' To Be One '. In April 2009 awarded Gita A Tribute to Women, an award for achievement and women 10 Conference women capable of other Indonesia.

On 7 May 2009 Gita released albums both titled Harmony Love. Gita in this album is not only singing, but also create five songs. Among them is a song which is a single parasite unggulannya and the song Lullaby didedikasikannya for the younger brother, Rara Gutawa, who was born years ago. Some of the creator of songs as well Yovie Widianto, Jimmy Bondoc, Dewiq, and Maia Estianti also contribute a song for my daughter senior musicians Erwin Gutawa this. Gita also sing the song again I love him, an old song that never populised by Chrisye deceased.

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Salah Jatuh Cinta - When You Wish Upon A Star

Homicide Post Morterm Hiphop

2009-06-18T11:00:00.000-07:00

HOMICIDE
(RIP 1994 - 2007)

Morgue Vanguard (MC, Producer)
Sarkasz (MC) DJ E (Turntables)
Andre (Guitars)

Influences:

The Last Poets, Gil Scott Heron, Fela Kuti, Marvin Gaye, Stevie Wonder, Prince, Curtis Mayfield, James Brown, Public Enemy, Rakim, EPMD, BDP, Run DMC, Gangstarr, Ice Cube, N.W.A., Organized Konfusion, Company Flow, Cannibal Ox, Minor Threat, Black Flag, Bad Brains, Negative Approach, Inside Out, Refused, As Friends Rust, Seein Red, Amebix, His Hero Is Gone, From Ashes Rise, Catharsis, Godflesh, Neurosis, Isis, Merzbow, Boredom, Throbbing Gristle, This Heat, Einsturzende Neubauten, John Zorn, Godspeed You! Black Emperor, Fugazi, My Bloody Valentine, Mogwai, Portishead, Black Sabbath, Slayer, Carcass, Napalm Death, Brutal Truth, Terrorizer, Suffocation, Nasum. Record Label:Subciety Label

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Barisan Nisa - Belati Kalam Profan - Marketing Propaganda Instrumental - Membaca Gejala Dari Jelaga - Necropolis - Rima Ababil - Semiotika Raja Tega - Senjakala Berhala - Sabda Batu Kepada Api

Superman Is Dead Punk Rock Indonesia

2009-06-18T10:53:00.000-07:00

Superman Is Dead Profile

SID, punk rock pioneers of Bali, were born and bred in Kuta Rock City. The band is three chord attitude-heavy young men, by name : Bobby Kool (lead vocal, guitar, a dog lover and a graphic designer) , Eka Rock (low ridin' family man, beer drinker, laid back bass and backing vocal and a warm smilin' Rock 'N Roll bandman, IT warior) , Jrx (low ridin' beer drinking Rock 'N Roll prince charming, drummer and a hairwax junkie, Bar owner). The name 'Superman is Dead' started its' evolution from Stone Temple Pilot's "Superman Silvergun". The name moved on to "Superman is Dead" cause they like the idea that there's no such thing as a perfect person out there.

SID actually stumbled together in '95, drawn by their common love of Green Day and NOFX. Their influences soon extended to the punk 'n roll genre a la Supersuckers, Living End and Social Distortion, and here they stay. They say what they wanna say, how they wanna say it. In your face, to say it precisely. SID public image, self described, is "Punk Rock a Bali" (think raw energy of NOFX vs Social Distortion supersonically fueled with beer-soaked Balinese Rockabilly attitude). History ? SID produced their first three albums independently (the boys worked years of crappy night jobs), with fabulous, small scale indie labels 1997 "Case 15", 1999 "Superman is Dead", 2002 "Bad Bad Bad"(mini album, 6 tracks).

In March 2003, SID finally signed with Sony-BMG Indonesia after extended negotiations regarding their right to sing the majority of their tracks in English and have full artistic rights over their 'image'!! With that decision they single handedly became the first band from Bali to be invited to sign with a major recording label in Indonesia, the first band in their nation (to my knowledge) to be recording majority of songs in English and the first punk band in Indonesia to get the national exposure and promotion that working with a major label in a third world country provides. And so the history of Indonesian Punk Rock begins!

And as for the question that everyone wants to know, the infamous bomb in Bali happened about 75 M from their home, hangout center, punk rock boutique, bar and rehearsal studio that is also Jrx' house, in the heart of Kuta.After panel beating back the rolling doors of the studio and shifting a little debris, rehearsals continued as usual. Yeah, they saw a lot, it sucked big time, but its' not gonna stop 'em!

And where are they now? At the end of 2002, one of the more respectable music mags here cited SID as "The Next Big Thing" for 2003. With the release of their fourth album "Kuta Rock City" followed by major air play nationally and in some countries overseas, coupled with the instant popularity of their newest film clip.

SID suddenly find themselves touring continuously throughout Indonesia. Last week they were in four major Indonesian cities, on three islands, in 7 days! Sometimes playing for free at underground scene clubs, sometimes at street skate parties or alternative band festivals, at lots of universities and even occasionally at "classy" venues who would have probably denied them entrance years ago!

Which means more beers for all. In 2003 SID even got a mention in Time Asia. They also won a few music awards “MTV Awards for The Best New Artist 2003”, “AMI Awards for The Best New Artist 2003” and nominated again in “AMI Awards 2006 for The Best Rock Album”. October 2007, they did an amazing Australian tour, 8 cities, 16 gigs, 33 days with their strong D.I.Y work ethic. SID had share stages with international bands such as International Noise Conspiracy, NOFX, MXPX and Hoobastank. They remain proud, boys from the streets of Kuta with a love of punk rock, beers and a good time. Ready for whatever comes next, excited about the next gig.

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Punk Hari Ini - Kuta Rock City - This Is Unlove - Graveyard - Runaway Stripper - Here I'Am - Cerita Semalam - Money Money Money - Fucking Hero - All Angel Cry - Epedrhine King

Sendal Jepit Punk Rock Indonesia

2009-06-18T10:40:00.000-07:00

Sendal Jepit Profile

El Tremorez (Guitar, Vocal) - Brew (Guitar, Vocal) - Toran (Bass) - Ijan (Drums)

In early 92 four youngsters from Bandung decided to share their interest in Rock Music. Sendal Jepit Started as a tribute band for many well known punk bands and metal bands at that time. When Underground scene went big, Sendal Jepit mark their existence as a tribute band for Bad Religion. The Band decided to put their own Songs in to the scene and release 4 singles in 95.The single ‘Nina’ brought Sendal Jepit to a larger scale, and takes the band into so many shows in 94 until 95. In mid of 97 Sendal Jepit released their first self titled LP. With the success selling of their self titled LP Sendal Jepit stood their ground in the local scene, but unfortunately Maruli (guitar) had to left the band. After a few months sendal jepit decided to put adwin to fill Maruli’s position. Unfortunately Adwin had to put his job before the band and left Sendal Jepit with only 4 members. It was quite a depressing time for the band. The Band vanished from the scene for over a year,but manage their way to rise by releasing ‘Ini Bukan Album Baru’ EP in 2003. The Band decided to recruit Brew as their new guitar player in the band in early 2004. And their latest full length was released in end of 2004 with the title ‘Ini Bukan Album Metal’. Ramdhan left the band in 2005 and the band instantly recruit Ijan as their Drummer. Ijan managed to put a new soul to Sendal Jepit and take the band to more further exploration. (William Rossdale.Sydney2006-Fans and friend)

In 2007, Sendal Jepit made some new material for their new album,bit in the middle of it, Andri (Voc) decided to resign from Sendal Jepit and now Sendal Jepit will make an audition looking for a new soul to sing our shit. Can't wait for their newest LP... Soon I hope.

Download MP3 Sendal Jepit

Duck Song - Stranded Ship - Nina - The Sun - I Say - Nothing - I Wish - Wracked It Up - Watch Arround - My Friend - Memo - Stupid Love Song - My Altercation - You Gave Me Lonliness - Sweet Paranoia - My Altercation 2 -

Handphone Ringtones

2009-06-15T22:58:00.000-07:00

Download MP3 Ringtones

Osama Bin Laden Calling - Happy Birthday (Japan Version) - Little Kid Singing Hiphop - Breakin Glasses - Frog Party - Arabian Screaming - Carl Alarm Noise -Were Wolf - What The Hell (Sunda) - Sound Of Kuntil Anak - Opor Kontol (Sunda) - 3000MHz - Little Kid Read Qur'an - Nice Latinos Guitaros - Lullaby Song - Cinta Luran - Hahahahahah Until Dead - Embe Bego (Sunda) - Donald Duck Singing - Window Error Sing - Very Funny Babby - X File Theme - Mad Cat - Window Music

Album Music Download

2009-06-11T00:12:00.000-07:00

Download MP3 Hits Album

Greatest Love Song (Frank Sinatra) - Album OST Troy - Album OST Kit Runner - Album OST Angel And Demon